We don’t believe in ghosts, so writing ghost literature for a modern
readership presents particular challenges. How does one write for an
audience that is cynical, yet still wishes to be terrified? What exactly
is a ghost, anyway?
We live in an age of reason, a more secular culture than that of those great ghost writers, the Victorians; we rely on the proofs and disproofs of science, psychology and medicine, on the digital recording of much of our lives. We live in brightly illuminated rooms on streets devoid of the terror of something moving just outside the lamp light. Wraiths don’t tend to show up on CCTV cameras, holograms are explicable phantoms and we all know what Freud made of ghosts.
Source: The Guardian
We live in an age of reason, a more secular culture than that of those great ghost writers, the Victorians; we rely on the proofs and disproofs of science, psychology and medicine, on the digital recording of much of our lives. We live in brightly illuminated rooms on streets devoid of the terror of something moving just outside the lamp light. Wraiths don’t tend to show up on CCTV cameras, holograms are explicable phantoms and we all know what Freud made of ghosts.
Source: The Guardian
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